Painting classes are for anyone who desires to further improve their skills in painting. The classes are for everyone who wants to learn about art, especially now that paintings have evolved into different kinds and forms, and also have utilized different subjects. But for one who really wants to improve their abilities, it would be better to paint several different subjects, like still lifes, portraits, and landscapes, rather than concentrating on just one form of painting. Actually, more and more people are doing portrait painting these days.
Portrait painting is a category in painting, where the motive is to show the visual look of the subject. Apart from human beings, creatures, animals as well as inanimate objects could be chosen as the subject for a portrait. In addition to portrait painting, portraits could also be produced in other media including marble, bronze, ivory, wood, ceramic, etching, lithography, pictures, and even video and digital media KAWS SHARE – BLACK . A portrait is a painting, picture,, statue, or other creative portrayal of a person, where the face and its particular expression is prevalent. The purpose is to show the similarity, character, as well as the feeling of the individual. A portrait frequently shows a person looking straight at the painter, so as to most effectively participate the subject with the audience.
The term ‘portrait painting’ may also illustrate the exact painted portrait. Portraitists make their work by fee, for public and exclusive persons, or are influenced by appreciation or affection for the subject. Portraits are often important state and family records, and also remembrances. If an artist portrays him or herself, the end result is called a self-portrait. In the past, the portrait – whether carved or painted – has been viewed as high art. Portrait paintings have mostly memorialized the rich and successful. Eventually, however, it started to be more prevalent for middle-class clients to commission portraits of their families and peers. Right now, the portrait painting continues to be commissioned by governments, corporations, organizations, clubs, and individuals.
Portrait painting entails taking the image of an individual or group of people by painting their likeness on a canvas. It’s created with a goal of showing the qualities and features of the image whatever the subject it is. Consequently, a portrait painter can be capable to emphasize the details of a specific subject to enhance the ordinary appearance to a far more elegant and classic one.
Painting classes that happen to be focused entirely on portrait paintings can certainly help in improving painting skills. Painting the face and figure will invariably drive you to concentrate hard on precision. If the nose is a bit to the right, or too long, it will undoubtedly be noticed – as opposed to a missing limb on a tree or the correct length of a residence. Painting a live model will likely train you to work smoothly within a time period, and conform to slight changes in your subject. Models often move bit by bit when seated and their facial looks transform as they become tired. Learning self-discipline and focus is the only way to achieve success at painting portraits-and once you do, it will pay off in all your paintings.
Many famous artists prefer to use oil paint as their medium. The reason being an oil painting as a finished product has a rich, natural and wholesome texture that also lasts a long time if you maintain it well. It is not difficult and gives you time to do your painting well slowly. The color mixing can be exceptionally well done and effective.
To use oil paint as your medium begin with collecting all the equipments together. You need various colors of paints, different sizes of brushes, turpentine or any other paint solvent, stretch canvas, palette and waste cloth for cleaning brushes and one for your hand and a work area with lots of light.
To start draw lightly the theme or image you are going to coloring. Of course this is an option but I have definitely seen many artists benefiting by starting with a basic drawing on the canvas since this will give you a direction. You can use a very light pencil which will not show through the paint or as an alternate make a basic drawing on another paper to get your thoughts in picture form.
The following step is to give a thin wash of all the colors in its specific places. A thin wash is done with long paint and long paint is made by diluting the required color with turpentine or any other solvent. Make sure you use white only where the painting is going to be white.
A finished painting product will have layers of paint. So, followed up with darker layers of painting until you achieve the desired color and texture. As you proceed the dilution of paint can reduce and for intricate painting in of details you can use thick paint or very lightly diluted paint depending on the detail. The best thing about oil paint is that it does not dry up fast and gives you enough time to do the detailed finishes well. And remember to wait for the paint to dry if you do not want to mix colors like when using black for coloring eyes, hair and etc. At the same time, you don’t have to wait until the paint is completely dry since the color of the nose and face needs to blend a little.
Richard lair, Director of the special projects for elephants at the Elephant Con-servation Center, believes that elephants should never have been made captive in the first place. After being a beast of burden for well over five thousand years, they remain essentially wild and have never been genetically altered for domesticity. This would seem to make their relationship to the human fairly remarkable. We have bound them to us out of fear, love and trust. He believes that, sadly, without tourism, there is no hope for the captive elephant. If this is so, it is only a temporary palliative for an alarming problem, not just in Thailand but worldwide and not just with elephants. I frantically raced between Pong and Prathida, loading up their brushes with the colors I liked because elephants are thought to be colorblind. Since I had two elephants painting, two mahouts assisting, ten brushes bristling and twenty pots of paint drying, it wasn’t easy to be judiciously esthetic in determining when a painting was finished. For me, it hardly mattered. What mattered was being in the midst of their great breathing and quiet spirit; so utterly palpable is the elephant’s place in this world. It’s difficult not to be filled with absolute joy and astonishment when you’re so close to these magnificent beings and difficult not to wonder what is to become of them. And I cannot wonder that without wondering what is to become of us.
What is it about the elephant that has imbedded itself so deeply in the human psyche? Is it because we share many biological and sociological traits or have a similar lifespan? Or that we are prone to suffer many of the same physical ailments, that we have similar familial constructs or that, as a species, we both have the ability to alter the environment in which we live. Perhaps the elephant knows more about this than we do.
Now that I’ve painted with the elephants, have my feelings changed or at least become more focused? Perhaps I should not have titled this essay with the question “Do elephants paint?” Any answer can easily be wrestled away in semantics. A more important question might be: Should they paint? But this too is problematic. We are utterly divided in our thinking about captive elephants. PETA (People for the Ethical Treatment of Animals), by and large a beneficial advocacy organization but often prone to tossing the baby out with the bathwater, would probably consider even the idea of elephants painting as abusive. Completely on the other side are groups like the Feld Corporation who not only own circuses but also avidly promote elephant breeding programs under the auspices of benign species conservancy. They are, in my mind, simply breeding more elephants for entertaining more people to make more money. Floating in the middle are the adherents to the archaic institution of the zoo. Zoos spend a good deal of money trying not to be thought of as circuses, while convincing us how much we need them. We don’t. What we need are sanctuaries for animals that have been too long in cages. No one needs to go see an animal locked in a sterile cage to learn how that animal would live, if it could.
If elephant paintings can somehow temporarily help stabilize the precarious condition of captive elephants, then ok. But it’s a sad fix and we must be careful. It is all too easy to exploit the elephant, even under the guise of helping it. For well over fifty thousand years, humans have established dominion over these relatively gentle giants. We eat them. We enslave them. We make them entertain us. We demolish their spirit and wear their teeth. During the Vietnamese War, pilots were instructed to blow up elephants, lest they might possibly carry some assistance to the enemy. Even today, elephants routinely, inadvertently step on land mines laid by human aggression. We poison, strangle, drown and electrocute them for encroaching on land, which was once their land.